It's not that Barbra Streisand had actually gone away anywhere but she had been kind of quiet in recent years. All that changed recently. First, in the September 2010 issue of Harper's Bazaar an editorial story entitled, "A Star is Re-Born" featured Jennifer Aniston in an homage to the mega-star shot by Mark Seliger. This photo reminds me of a very similar pose struck by Isabella Rossellini, made up to look like Barbra by the late, great Kevyn Aucoin. My Dec/Jan copy of House Beautiful arrives with a feature on Streisand's first-ever book, My Passion for Design in which she "shares the intimate story behind her obsession with home" plus the cover of the August 1974 edition of the magazine which included a feature about her Hollywood home. As if this wasn't enough to convince me that Streisand's star was back in the firmament, along comes another magazine, another story on Streisand's home. This time, December's Harper's Bazaar, photog...
As I mentioned recently, the current fascination amongst certain runway designers and celebrities with racy lingerie looks often brings to mind Helmut Newton 's style of photography. If only he were still alive, what a moment he'd be having. Unfortunately he died in a macabre accident when his car hit a wall in the driveway of Chateau Marmont which had for several years served as his L.A. residence. It has been speculated that Newton suffered a heart attack in the moments before the collision. Newton favorite Nadja Auermann appeared in many of his portraits including these photos taken for American Vogue in 1994. Newton was born in Berlin in 1920. The 1972 movie Cabaret based on a novel written by British author Christopher Isherwood, Goodbye to Berlin evokes the air of danger and desperation prevalent during the years of the Weimar Republic as Hitler rose to power and Jews were increasingly discriminated against. Seemingly the spirit of smoke-filled, pre-WW2 German night-clu...
It's as if Dolce & Gabbana read my mind, my obsession with all things Medieval is their obsession too. For Fall 13 they used the golden mosaics of Sicily's Cathedral of Monreale as a starting point. It's an ancient view of womanhood, regal, powerful, queenly, saintly even, that feels thoroughly modern too.
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